VOB to WAV Converter

VOB (Video Object) is the primary container format used on DVD-Video discs, defined as part of the DVD specification developed by the DVD Forum. The format first appeared with the DVD standard finalized in September 1996 and has since been used on billions of DVD discs produced worldwide. VOB files are based on the MPEG-2 program stream format, containing multiplexed MPEG-2 video alongside audio in AC-3 (Dolby Digital), DTS, MPEG-1 Layer II, or LPCM formats. Beyond audio and video, VOB files also carry DVD subtitle streams as bitmap overlays, navigation data for menu interaction, and chapter point information. The files reside in the VIDEO_TS directory on a DVD disc, with naming conventions (VTS_01_1.VOB, etc.) reflecting the title and part structure of the content. Individual VOB files are limited to approximately 1 GB to accommodate the UDF file system requirements, with longer content spanning multiple files seamlessly. The format supports both NTSC (720x480) and PAL (720x576) video resolutions at bit rates up to 9.8 Mbps for combined audio and video. Integration of video, multi-track audio, subtitles, and navigation into a single program stream made VOB a complete solution for consumer movie delivery. While streaming and newer disc formats have supplanted DVD for new content, VOB remains hugely relevant for accessing the vast library of existing DVD content.

WAV (Waveform Audio File Format) is an uncompressed audio container jointly developed by Microsoft and IBM, first published in August 1991 alongside Windows 3.1. Built on the Resource Interchange File Format (RIFF), WAV stores audio data — most commonly as linear pulse-code modulation (LPCM) — together with metadata describing sample rate, bit depth, and channel count. This straightforward structure has made WAV the de facto standard for uncompressed audio on Windows and a universally accepted interchange format across virtually every operating system, audio editor, and media player in existence. CD-quality WAV files use 16-bit samples at 44.1 kHz stereo, while professional workflows routinely employ 24-bit or 32-bit float samples at rates up to 192 kHz. A major advantage is zero-loss fidelity: because standard WAV applies no compression, the stored data is an exact digital representation of the original recording, making it the preferred choice for mastering and archiving. WAV also supports embedded metadata through INFO and BWF chunks, enabling timestamping and production notes. The main trade-off is file size — one minute of CD-quality stereo occupies roughly 10 MB — and the 32-bit RIFF structure imposes a 4 GB limit, though RF64 removes that ceiling.