IRCAM to AMR Converter

IRCAM sound files originate from the Institut de Recherche et Coordination Acoustique/Musique — one of the world's foremost computer music laboratories, founded by composer Pierre Boulez in Paris. The format was created in the early 1980s to serve the research needs of IRCAM and has since been adopted by academic and artistic communities working at the intersection of science and sound. An IRCAM file begins with a 1024-byte header containing a magic number, sample rate, channel count, and an encoding type field that supports linear PCM (16/32-bit integer and 32-bit float), mu-law, and A-law variants. The header block also accommodates free-form annotation text, allowing researchers to embed experiment metadata directly in the audio file. Because the payload is uncompressed by default, recordings maintain full fidelity through successive analysis and resynthesis cycles — essential in psychoacoustic experimentation. Software such as Csound, libsndfile, and SoX reads and writes the format natively. Key advantages include a well-defined header that eliminates parsing ambiguity, support for floating-point samples essential in scientific DSP work, and deep roots in the computer music community ensuring continued tooling.

AMR (Adaptive Multi-Rate) is a compressed audio format optimized for speech, standardized by the European Telecommunications Standards Institute and adopted as a mandatory codec for GSM and 3G mobile networks. The codec dynamically switches between eight bit rates — from 4.75 to 12.2 kbps — depending on network conditions and background noise levels. When link quality drops, the encoder shifts to a lower rate, trading marginal clarity for transmission reliability. This adaptive mechanism is defined by the 3GPP specifications and represents one of the most widely deployed voice codecs globally, used in billions of mobile calls. The primary advantage is compression efficiency: one minute of AMR audio at 12.2 kbps occupies roughly 90 KB, practical for voice memos, voicemail, and MMS on bandwidth-constrained networks. Another benefit is built-in voice activity detection and comfort noise generation, reducing transmission during silence. While AMR is unsuitable for music due to its narrow bandwidth (300-3400 Hz), it excels at delivering intelligible speech under challenging network conditions.