MJPEG to WAV Converter

MJPEG (Motion JPEG) is a video compression format in which each frame is independently compressed as a separate JPEG image. Unlike interframe codecs that exploit temporal redundancy between successive frames, MJPEG treats every frame as a standalone photograph, applying the discrete cosine transform compression familiar from still image JPEG encoding. This approach dates back to 1992, coinciding with the establishment of the JPEG standard itself, and was widely adopted as one of the earliest practical methods for compressing digital video. The intraframe-only nature of MJPEG carries several practical benefits: any frame can be accessed and edited independently without decoding neighboring frames, making it exceptionally well-suited for video editing and applications requiring frame-accurate random access. MJPEG is commonly used in IP cameras, security surveillance systems, medical imaging, and industrial machine vision, where individual frame integrity and low processing latency outweigh the higher bandwidth requirements compared to modern interframe codecs. The format achieves typical compression ratios of 10:1 to 20:1 while maintaining good visual quality, though at significantly higher bit rates than temporal compression methods for equivalent quality. MJPEG streams can be delivered over HTTP, making them straightforward to implement in web-based monitoring applications, and the simplicity of the codec ensures reliable decoding even on resource-constrained embedded hardware.

WAV (Waveform Audio File Format) is an uncompressed audio container jointly developed by Microsoft and IBM, first published in August 1991 alongside Windows 3.1. Built on the Resource Interchange File Format (RIFF), WAV stores audio data — most commonly as linear pulse-code modulation (LPCM) — together with metadata describing sample rate, bit depth, and channel count. This straightforward structure has made WAV the de facto standard for uncompressed audio on Windows and a universally accepted interchange format across virtually every operating system, audio editor, and media player in existence. CD-quality WAV files use 16-bit samples at 44.1 kHz stereo, while professional workflows routinely employ 24-bit or 32-bit float samples at rates up to 192 kHz. A major advantage is zero-loss fidelity: because standard WAV applies no compression, the stored data is an exact digital representation of the original recording, making it the preferred choice for mastering and archiving. WAV also supports embedded metadata through INFO and BWF chunks, enabling timestamping and production notes. The main trade-off is file size — one minute of CD-quality stereo occupies roughly 10 MB — and the 32-bit RIFF structure imposes a 4 GB limit, though RF64 removes that ceiling.